Sunday, December 18, 2005

Lestat, The Musical

Last night, I fanned the Family Dog party and went, instead, to the first preview of LESTAT. If you don't already know the general story of Lestat and how he came to be a vampire, etc., you will not learn that from me here. I try not to get into storyline and plot discussions, preferring to discuss the performances, the performers, and the music.

The music. Ah, the music. The orchestrations were powerful but the songs were good, not great and not terribly memorable, especially given the composer is Elton John who did such great jobs with "Lion King" and "Aida." I guess you could say the show does not contain a HIT song, at least in the sense that you come away humming the tune and cannot get it out of your head (as, at least I did, with "Circle of Life" or "Elaborate Lives"). I did like Claudia's song, "I Want More" quite a bit - Allison Fisher is quite a scene stealer and has a very powerful voice and stage presence and she did a tremendous job with this number. I also liked the staging for "Sail Me Away," which was gorgeous, but as someone said on the Lestat message board, I cannot remember the tune of the song at all.

The actors were all quite good in their roles but I had some trouble accepting Hugh Pannaro as the ethereal (in MY mind, anyway) Lestat when he kept jutting his square, Dudley-Do-Right chin out in profile and mugging at the audience, especially during the first act. I half expected the vampire to abandon his gorgeous period costumes in favor of the uniform of the Royal Canadian Mounted Police. A little less ham and a little more filet mignon, please!!!

2 comments:

mia said...

I just watched the oldyest-oldy movie: Broken Blossoms, by DW Griffith with Lillian Gish as leading lady... My Mom had recommended it: she said it was one of the first movies her uncle Lon had worked on; or at least he started working for Griffith 'around' that time...

It has a musical score that is certainally an important part of the story; but not a word is spoken or sung. Was not lacking in meaty story despite the lack of speech. Occured to me however; that live-Stage productions require a lot more on the part of costumes, and Quality of sound: both lyrically and in mere speech, than a film does?

For example; in this Broken Blossoms film: the actors' face expressions Were THE Thing, somthing that on-stage might not be picked up on unless amplified by mask-like makeup. But it was not a mime-show either.

It is possible that some storylines are not suitable for live stage? Perhaps for a sucessful live play the subjects/ subject material must be on a Grand Scale in order to trasmit its' emotions and reason to be across the floodlights.

mia said...

this review:
artworksmagazine.com

of "Lestat, The Musical' says much of what I did; but in an um-> more professional manner :) yeh that's it...

I guess I cannot delete my posts any longer, eh lamiz? ohwell it'syerpage: And I DO enjoy reading it BTW ((tanks))